
Work done under the direction of Michael Kempson, one of Australia's premier printmakers. Based on the number 16 for a student book, this so-called "world's best tattoo" is an intaglio

Created by a mixed media approach, starting from the left hand side watercolour, this work is a tableau of various encouraging things. Keenly pointing towards the future, this was a

Boneless Cafe Bermagui - Mantra/Poster. Commission from vegan cafe owners to bring attention to their unique brand of morning ritual. Stained with a tea-bag and with burnt corners - a

Hanc indeploratum seram Amphitryoniadae tremulis pauperque manum

A long panel that reads left to right, from a morning sky over the coast to a starfield at the far edge. Birds of prey and herons crowd the left-hand shore, a wave curls under a crystalline pyramid, dolphins leap overhead, and serene green faces look out from the right. Across the lower half run rows of discs: a tree through the four seasons, the phases of the moon, and the seven chakra symbols climbing to Om, set above a line of mountain peaks.

A framed cutting from the right side of: <https://sebastiangrant.com/didjumeme>. September 11 wreckage with a tower of Windows and of Mac, hosting MIDI notes as cargo.

A dyptych painted for the end of art school in 2011. The Oil Painting was projected from a freestyled drawing and embellished on the fly. Representing the asethetic of digital

Display only condition Surfboard design created with Posca, Acrylics and Oils. Cabarita Beach headland and cosmic Dragon inspired by the out-there craft of Mister X, Glen Winton, who I was

A biro drawing of an elephant.

Elva Karto is a mind map drawn out of a turbulent chapter of my life, an attempt to weave social commentary and autobiography around the twin threads of spirituality and duality. Where earlier pieces were crowned with a strange, Masonic upper section and dressed in the dense, Magna Carta look of a medieval charter, this one lets that go for something stranger and more alien. At heart it is a love story, and not an entirely untangled one. More than anything it is a codex: a record of one period of my life, in a style I wish I had more time to return to, because every moment spent in it feels worthwhile.

Pencil study of a fish wharf — a second work in the series.

Acrylics on MDF Simple work of Mt. Gulaga looking from Bermagui NSW.

Painted freestyle in Halmstad, Sweden. Hearts carved into wood, translated into paint.

A freestyle pencil drawing playing with optical illusion and psychedelic form.

Oil painting created as album art in a single session. The title is misspelt on purpose.

Maple, a curly-coated cream and apricot dog, stands square to the viewer and gazes upward against a deep crimson ground. The coat is built up in short, looping strokes of white, lilac and gold, catching the light along the ears and chest, with the name signed in the lower corner.

Mural directed by Jeremy Harris. Two panels, shown side by side.

Mona Lisa Copy Completed for the Murwillumbah Art’s trail, worked on for a couple of years prior. This work was painted on a previously used canvas, without projection (copied using

Acrylic painting on a van — an octopus reaching across the panels.

Magpie painted from life In a garden shared with this magpie, I took to painting their portrait on MDF cut to size from the hardware down the road.

Mixed media work combining three ox motifs into a trinity composition.

Mixed media drawing on Awagami washi paper, structured around phi-ratio geometry.

A freehand ink drawing exploring the phi (golden ratio) spiral through an organic branching tree structure.

An oil painting of a recliner — domestic and cosmic at once.

Ink and watercolour, conjured in Footscray after an epiphany in a back alley, as we searched for the words to describe a game called Solopoly: a board game of one, orbiting the sun. Hidden in plain sight was the pun no one had claimed, that Monopoly has carried the moon in its name all along. Solopoly folds checkers, chess, backgammon and Monopoly together with the political spectrum and the spectrum of love and relationships, until the board becomes a game of life itself, played by clairvoyance and won only in the present moment.

Oil painting exploring the aesthetic of a Raelian state — a speculative theocratic imaginary.

Murbah

Eram mora tuas in inter ferens caterva

Ink and watercolour drawing — a graphic document of the MC, styled like a medieval charter.

Drawn at The Artist's Outlook Austinmer, over the course of a few months.

A freestyle biro drawing venturing into the void — unplanned marks that resolve into form.

Transit - Tryptych side 3. A work completed for Rainbow Serpent 2013 where it was displayed in a triptych called ‘The eternal sunchime of the El Salvador Dante G as

Murbah

Album cover for Hearts Like Wolves, drawn in ink in Sweden in one take.